Student Recommendation: Black Lives, Black Words

“I started Black Lives, Black Words because I felt there needed to be an opportunity for me as a playwright to speak out against the sins committed in this world inflicted upon black bodies: Michael Brown, Trayvon Martin, Rekia Boyd, Sandra Bland, Tamir Rice, and the countless many others.” ~ Reginald Edmund

Reginald Edmund started a project that asked black playwrights, visual artist, and poets from the US, UK, and Canada to create a ten minute play answering the question, “Do Black Lives Matter?” This anthology is product of the project.

Cover of Black Lives Black Words

Black Lives Black Words takes its opportunity to use art as activism and places its reader and audience members in situations where they may feel comfortable until there is no room for the word even exist. There is humor, songs, and a diverse community all ready to be explored within these pages. Each play gives life to voices who we haven’t heard from and to voices we will never hear again. There is an endless stream of names that get lost, forgotten, and/or dragged through the mud in the BLM movement. Reginald and his team of incredibly gifted artist have done their part in making sure we never forget that these names are more than just names. The lives and words of these selected black people are consciously shared in a way that has left a lasting impact on myself.

I highly recommend heading over to the Greenfield Library and checking out Black Lives, Black Words (call #:  PN6119.7 .B53 2017 ) This title is also available in eBook format through EbscoHost’s Academic eBook collection.

~ Recommended by Briana Gause, UArts Music Library Work Study Assistant

 

Staff Recommendation: Tin House



I recently discovered the pleasure of reading professional literary magazines. In particular, the magazine Tin House which is carried by the Greenfield Library. At a glance, the magazine’s eye catching cover illustrations stand out on the periodical shelf. The journal even includes the artist’s interpretation of the illustration at the back of the book. But mostly it is filled to the brim with beautifully crafted short stories and poems in a format that is pleasant to hold and to read.

A literary magazine is the perfect option for my attention span and life obligations when I just want to get a little creative refresher in the middle of the day. Tin House’s selection recently featured a beautiful atmospheric short story by Ursula K. Le Guin called Pity and Shame that took me right out of my obligations and into a quiet interpersonal exploration between a mine examiner and his nurse. They offer this story as well as a selection of other work on their website at http://tinhouse.com/read-the-latest/

Tin House is also a great way of staying up to date with contemporary authors and to sample works before committing. It’s a little bit like a Spotify recommended playlist: it helps to identify artists you might enjoy delving into so you can look up their album (or in this case their poetry collection) and dig in even deeper.

I recommend just a glance at this literary magazine, you can always find the latest issue at the Greenfield Library. Maybe even at one of their previous issues like Candy because much like the sweets on the cover you may find yourself delectably hooked. 

~ Recommended by Jo Dutilloy, Greenfield Library Circulation Assistant 

Staff Recommendation: The Philadelphia Story (1940)

I love old movies. And I especially love old movies with Cary Grant in them. I could probably write a whole review about the various Cary Grant films available in our library, because I’m sure I’ve gone through most of them at this point.

Despite the fact that Cary Grant is in this film, full of gentlemanly sharp wit and amazing suits, it is Katherine Hepburn who truly steals the show and makes this her movie. A strong-willed, spoiled, and haughty aristocrat from the Main Line, Hepburn’s character finds herself in a series of awkward situations the day leading up to her wedding to an equally wealthy (yet completely dull) second husband. Grant plays her ex-husband, who invites himself to the wedding festivities, with a tabloid reporter (Jimmy Stewart) and photographer in tow disguised as friends of her brother. Hilarity ensues like most of these 1940s “screwball comedies,” including one of my favorite scenes of Hepburn and Stewart drunkenly dancing late into the night before the wedding day.

People sometimes pre-judge black-and-white films like The Philadelphia Story as being boring and stuffy, but this movie is actually really funny. Watch for a great scene right at the beginning of the film involving Hepburn breaking a golf club over her knee.

If you enjoyed this movie as much as I did (Greenfield Library GD2171), check out Bringing Up Baby, (also available in the Greenfield Library, GD1895) another award-winning film starring Grant and Hepburn as love interests, and equally ridiculous.

~ Recommended by Lillian Kinney, Cataloger/Archivist, Greenfield Library

Staff Recommendation: The Toaster Project: or, A Heroic Attempt to Build a Simple Electric Appliance from Scratch

Have you ever looked at a simple machine or object and figured, given the right materials, you could make one? If you have, where do you think you would even get those materials? In The Toaster Project, Thomas Thwaites sets out to make, you guessed it, a toaster, completely from scratch. This small book is divided into sections based on the materials needed and how Thwaites sets out to acquire them, from pouring a gooey potato concoction into hand-carved molds to make a kind of plastic, to digging for iron ore. There are even correspondences with different experts who charitably (and with varying levels of enthusiasm) try to help Thwaites with his seemingly ridiculous goal.

I first picked up The Toaster Project in college to pass some time. It’s a pretty short read and, in my opinion, interesting enough that you can get through it in one sitting. It’s ended up really sticking with me, and when I saw it in our collection I knew I had to pick it up again. I think what I love about it is that the book and the project are at once self-contained and expansive. There’s something satisfying about getting from one end of the book to the other, seeing the initial conception of the idea and the journey all the way to the final strange-looking, mildly-functional toaster. Thwaites set out to make something and then made it, and that’s that. But the book also brings up broader questions about industry, the environment, the human experience, and more. Where do your things really come from? How long do they take to make and how long do they last? How separated are we from the production of the things around us? And what even is a toaster?

If you’re interested in those kinds of questions, or just in design, fabrication, sculpture, industry, environmentalism, or really any number of various related topics, I suggest giving this book a try. Aside from the project itself, the writing in the book is honest, funny, and just the right amount of self-deprecating. And if you’re interested in Thwaites’ work, you should also check out another of his well known projects, GoatMan: How I Took a Holiday from Being Human.

Find The Toaster Project at Greenfield Library, call # NK1447.6.T49 A35 2011

~Recommended by Kait Sanchez, Music Library Circulation Assistant 

Digital Resource of the Week: Artstor

The University Libraries provides students, faculty, and staff access to Artstor’s expansive digital image library consisting of over two million, high-resolution images from museum and archival collections around the globe.

Did you know that, in the past year, Artstor has implemented a variety of new tools that are totally worth checking out? Whether you’re looking for visual study tools to help you prepare for an upcoming art history exam or are wondering how to properly cite artwork in your bibliography  — the Artstor online database has you covered! Here are two new features available on Artstor that we thought were pretty awesome and wanted to share with the UArts community:

Artstor’s new Quiz Mode feature provides students with the ability to create an interactive flashcard feature that can be used to study for exams while in fullscreen mode. This flashcard feature is even available on mobile so you can study on the go! To activate Quiz Mode, first select an image and click on the Full Screen icon to launch full screen. In the lower right corner, click Quiz Mode Off.

Notice how the captions disappear and you can use the arrows on your keyboard to navigate through the group of images? Pretty cool right?! Visit this image group tutorial we created and try it out yourself!

Artstor also provides students with the option to create citations instantly in APA, MLA, and Chicago styles. All you have to do is navigate to your the image you’d like to cite, open it, then click the “Generate Citation” button. Next, a window will appear providing you with the artwork’s citation in three different formats available to copy and paste directly into the bibliography section of your paper:

To get the most of out your Artstor experience, it is imperative that you register and create an Artstor account. You can access the Artstor database by visiting library.uarts.edu

 

 

 

 

 

 

 

 

 

 

 

 

 

 

If you have any questions, need assistance setting up your Artstor account, or are interested in learning more about Artstor, please contact Laura Grutzeck, our Visual Resources and Special Collections Librarian by email or stop by the VRSC located on the mezzanine level of Anderson Hall!

Staff Recommendation: Princess Mononoke

Released in 1999 and holding a 94% audience approval rating, this Miyazaki film was hailed as “The ‘Star Wars’ of animated features!” by the New York Post. Princess Mononoke brings together the world of the spiritual and the realities of man. Similar to Pan’s Labyrinth, and Miyazaki’s later movie Spirited Away, this film exists in a world where fantasy and reality push against each other as humans seek to destroy the old ways to make way for new.

At the center of the story is a young man named Ashitaka, who makes his way to a mining village after being cursed by a dying animal god.  There he meets Lady Eboshi, whose desire to acquire more iron for the village has put her in direct conflict with the nature gods that inhabit the land nearby who are lead by Princess Mononoke, a human girl raised by the wolf god. As his curse spreads, Ashitaka seeks to find a balance between these two opposing forces before both are destroyed by their own short sightedness.

This incredible film asks the questions; ‘Can Man and Nature coexist?’ ‘Is it possible to stand in the middle of conflict, or must we choose sides?’ ‘Who is really the villain?’ ‘Is there a place for those who are different?’With beautiful animation and subtle storytelling, Hayao Miyazaki asks us to come to our own conclusions through the actions of Ashitaka, Lady Eboshi and Princess Mononoke.

You can find this DVD at the Greenfield Library, stop by the circulation desk and ask for call # GD1475

~ Recommended by Lauralee Martin, Greenfield Library Work Study Assistant

New Year, New Call Numbers!

Dear UArts Community Members,

As some of you may already know, we began a large-scale project in the Greenfield Library in the final months of the Fall 2017 semester. We reclassified every item in our collection from Dewey Decimal call numbers to the Library of Congress (LC) classification system. Okay, so you might be thinking, why? Well, there are a number of reasons.

  • The Library of Congress system is the standard system in the United States for academic libraries.
  •  It is already in use by the UArts Music Library and will help streamline the collections.

 It is widely regarded as a more effective system to use for classifying and finding academic materials.

You will encounter the LC system throughout your research at UArts and beyond. Even a cursory knowledge of its various sections will help you identify places in the library to browse and find materials. You can find out more about how LC call numbers are structured by taking a look at our UArts Libraries Call Number Guide on our website.In addition, we’ve created an LC subject heading guide, as well as corresponding bookmarks, available at the circulation desk:

The project included putting new labels on the books, removing every book from the shelves, and then moving the books into their new location.

From left to right: Barbara Danin, Acquisitions & Administrative Coordinator, Mary Louise Castaldi, Reference and Interlibrary Loan Librarian, and Lillian Kinney, Cataloger/Archivist, sorting books that were relocated to their new sections in the stacks.

Above: William Rooney, UArts Visual Resources & Special Collections Assistant, sorting books with new LC labels into their new respective aisles.

As you can see from the images taken over the holiday break, it was organized chaos with books all over the library (on tables, chairs, carts, and the floor), and staff moving in all directions!

Thanks to the participation of the entire library staff and two very capable student assistants, the project was mostly complete before the beginning of the spring semester despite the interruption of 2.5 snow days. As we continue to power through the final stages of this project, please remember that we are always here to help you navigate your way through the library. Please don’t ever hesitate to visit us or stop by the circulation desk and ask for assistance!


~The UArtsLibraries

Staff Recommendation: Fahrenheit 451

As a librarian and an avid fan of reading in general, I’ve read a lot of books. Well, I’ve read a lot, but there certainly are many books that I still haven’t read yet. Fahrenheit 451, a classic (and often banned) modern novel is one of those books that had me saying to myself, “Why have I never read this?!” Especially since this is a true book lover’s book.

But it’s also more than just that. As Neil Gaiman says in the wonderful introduction to this 60th anniversary edition, “This is a book about caring for things. It’s a love letter to books, but I think, just as much, it’s a love letter to people….” Since I think this book is so magical, I won’t spoil the plot. What I want to focus on is this book’s important message, gloriously amplified by Ray Bradbury’s lyrical descriptions (trust me, he makes describing moonlight sound heavenly).

What I loved so much about Fahrenheit 451 is its striking relevance to our world today, which can often be said for these types of dystopian sci-fi novels. Even though I found myself nodding along to Bradbury’s finger-pointing at the horrible aspects of modern society (which are eerily similar to the world of 2018), I also felt reassured to hear a voice who feels the same way I do. Books matter. Stories matter. People matter. Quiet thought and compassion matters. In a world that seems too loud and insane and imploding in on itself at times, it was refreshing to read the words of an author calling out into the void, saying, “Slow down. Look around you. Care more. Read a book.”

You can check out Fahrenheit 451 from the Greenfield Library at call# PS3503 .R167 F3 2013. This special edition of the book also includes historical context essays and reviews for some in-depth reading.

There is also an audio guide available from Greenfield CDs (GCD409), featuring a radio program and Bradbury discussing his work. We also have the 1966 film available behind the Greenfield circulation desk, just ask for call# GD23Coincidentally, HBO will be premiering a new movie version of Fahrenheit 451, to be released Spring of this year. You can watch the teaser trailer here.

~ Recommended by Lillian Kinney, Cataloger/Archivist at the Greenfield Library

Staff Recommendation: Do Androids Dream of Electric Sheep?

 

Philip K. Dick can be regarded as one of the prominent science fiction authors of the 20th century, with many of his works posthumously inspiring film and television adaptations, such as Total Recall, Terminator, The Man in the High Castle, and Minority Report. Do Androids Dream of Electric Sheep? is one of these works, establishing the world of Ridley Scott’s groundbreaking film Blade Runner and its recent sequel, Blade Runner 2049. Like the 1982 movie, Do Androids focuses on Rick Deckhard’s search for rogue Nexus-6 androids in a futuristic, yet very bleak, California. If you are familiar with the classic Harrison Ford feature, this novel might not be what you are expecting, but it delights nonetheless. Characters like Pris, Rachael, and Roy will be recognizable to those who have seen the 1982 movie, as well as other entities that parallel elements in both films. While the films touch on themes of empathy and “What does it mean to be human?” Dick expands upon these in more detail, taking a very philosophical approach with his writing, almost along the lines of Aldous Huxley’s Brave New World. If you are looking for a challenging read that will make you puzzle and ponder the meanings of life, yet in the setting of a post-nuclear war America, this is for you.

Available now in the Greenfield Library open stacks at call #: PS3554 .I3 D6 2017 In addition to this great read, the director’s cut of the Blade Runner film can be found behind the Greenfield Library circulation desk, just ask for call #: GD9 !

~ Recommended by Lillian Kinney, Cataloger/Archivist at the Greenfield Library

Staff Recommendation: David Bowie: The Last Interview and Other Conversations

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David Bowie: The Last Interview and Other Conversations consists of ten interviews collected over a timeline of four decades. Each of the selected conversations focus on a variety of topics outside of the realm of the musician’s technical process. The conversations also provide readers with the ability to explore the personal identity of the man behind the music. The collection begins with Bowie’s first interview at age sixteen on BBC Tonight in 1964, touching on everything from the performer’s childhood experiences on the calloused streets of South London, to his battles with substance abuse. The series concludes with his final interview in 2006, just a decade before his final album release and imminent death.

This book is a perfect quick summer read, recommended for any individual interested in David Bowie’s personal identity outside of his role as a musical performer. It is available in the Music Library new books display area at call # ML420.B754 B694 2016.

-Nichole Seedes, Circulation Assistant