Cop Rock: The Complete Series
Music Library MD962
Cop Rock, a true gift from the 90s. Steven Bochco and William M. Finkelstein have created a gritty police drama that also happens to be an American musical.
To give you an idea, the pilot opens with the Los Angeles Police Department (LAPD) bursting into a home during a drug raid. Once all suspects have been apprehended and are being put into handcuffs, a beat drops and the ensemble of suspects break into a song expressing to the LAPD the amount of power they hold on the streets.
Being a product of its time, Cop Rock is very self-aware of tensions around police brutality, racial profiling, and analyzing the line of right and wrong. It touches on issues and conversations that we are still having to this day. Thematically, the show is a true drama, but the absurdism seeps in through the songs leading Cop Rock to float closer to a dark comedy. The pilot episode gives us a courtroom scene where the jury breaks into a gospel number to deliver their verdict.
In 2002 TV Guide ranked this show as #8 on their list of “50 Worst TV Shows of All Time”. After 11 episodes ABC canceled the show due to its critical and commercial failure. Cop Rock is infamous for being one of TV’s biggest failures in the 90s, but, thanks to a faculty request, we have it at UArts, ready to be checked out of the Music Library.
Cop Rock is a true gem in my book. If you’re into films such as The Room, or Rocky Horror Picture Show, then Cop Rock is for you. Find it in the UArts Music Library, call # MD962.
~ Recommended by Briana Gause, UArts Music Library Work Study Assistant
LIBRARIZINE is a new zine created by + about the UArts Libraries. The first issue was introduced at the libraries’ open house in August, and features an interview with Lillian Kinney, the University Libraries Archivist. The library plans to put out a new issue 2-3 times a year, at the start of the fall, spring, and possibly summer semester. Our goal is to help promote the libraries and all of the interesting things going on here, as well as the libraries’ zine collection.
You can pick up a copy of LIBRARIZINE at the circulation desk of the Greenfield Library or the Visual Resources and Special Collections.
If you are interested in submitting items (or suggestions) to LIBRARIZINE, or in using the libraries’ zine collection, please contact Laura Grutzeck, the Visual Resources & Special Collections Librarian at email@example.com.
“I started Black Lives, Black Words because I felt there needed to be an opportunity for me as a playwright to speak out against the sins committed in this world inflicted upon black bodies: Michael Brown, Trayvon Martin, Rekia Boyd, Sandra Bland, Tamir Rice, and the countless many others.” ~ Reginald Edmund
Reginald Edmund started a project that asked black playwrights, visual artist, and poets from the US, UK, and Canada to create a ten minute play answering the question, “Do Black Lives Matter?” This anthology is product of the project.
Black Lives Black Words takes its opportunity to use art as activism and places its reader and audience members in situations where they may feel comfortable until there is no room for the word even exist. There is humor, songs, and a diverse community all ready to be explored within these pages. Each play gives life to voices who we haven’t heard from and to voices we will never hear again. There is an endless stream of names that get lost, forgotten, and/or dragged through the mud in the BLM movement. Reginald and his team of incredibly gifted artist have done their part in making sure we never forget that these names are more than just names. The lives and words of these selected black people are consciously shared in a way that has left a lasting impact on myself.
I highly recommend heading over to the Greenfield Library and checking out Black Lives, Black Words (call #: PN6119.7 .B53 2017 ) This title is also available in eBook format through EbscoHost’s Academic eBook collection.
~ Recommended by Briana Gause, UArts Music Library Work Study Assistant
I recently discovered the pleasure of reading professional literary magazines. In particular, the magazine Tin House which is carried by the Greenfield Library. At a glance, the magazine’s eye catching cover illustrations stand out on the periodical shelf. The journal even includes the artist’s interpretation of the illustration at the back of the book. But mostly it is filled to the brim with beautifully crafted short stories and poems in a format that is pleasant to hold and to read.
A literary magazine is the perfect option for my attention span and life obligations when I just want to get a little creative refresher in the middle of the day. Tin House’s selection recently featured a beautiful atmospheric short story by Ursula K. Le Guin called Pity and Shame that took me right out of my obligations and into a quiet interpersonal exploration between a mine examiner and his nurse. They offer this story as well as a selection of other work on their website at http://tinhouse.com/read-the-latest/
Tin House is also a great way of staying up to date with contemporary authors and to sample works before committing. It’s a little bit like a Spotify recommended playlist: it helps to identify artists you might enjoy delving into so you can look up their album (or in this case their poetry collection) and dig in even deeper.
I recommend just a glance at this literary magazine, you can always find the latest issue at the Greenfield Library. Maybe even at one of their previous issues like Candy because much like the sweets on the cover you may find yourself delectably hooked.
~ Recommended by Jo Dutilloy, Greenfield Library Circulation Assistant
I love old movies. And I especially love old movies with Cary Grant in them. I could probably write a whole review about the various Cary Grant films available in our library, because I’m sure I’ve gone through most of them at this point.
Despite the fact that Cary Grant is in this film, full of gentlemanly sharp wit and amazing suits, it is Katherine Hepburn who truly steals the show and makes this her movie. A strong-willed, spoiled, and haughty aristocrat from the Main Line, Hepburn’s character finds herself in a series of awkward situations the day leading up to her wedding to an equally wealthy (yet completely dull) second husband. Grant plays her ex-husband, who invites himself to the wedding festivities, with a tabloid reporter (Jimmy Stewart) and photographer in tow disguised as friends of her brother. Hilarity ensues like most of these 1940s “screwball comedies,” including one of my favorite scenes of Hepburn and Stewart drunkenly dancing late into the night before the wedding day.
People sometimes pre-judge black-and-white films like The Philadelphia Story as being boring and stuffy, but this movie is actually really funny. Watch for a great scene right at the beginning of the film involving Hepburn breaking a golf club over her knee.
If you enjoyed this movie as much as I did (Greenfield Library GD2171), check out Bringing Up Baby, (also available in the Greenfield Library, GD1895) another award-winning film starring Grant and Hepburn as love interests, and equally ridiculous.
~ Recommended by Lillian Kinney, Cataloger/Archivist, Greenfield Library