Peterson? That cop that killed his wives? It was a big news story in 2007. I
was dating Emma that summer. We used to sit in her mom’s basement and watch
movies all night. We were watching a TV special about Drew Peterson one night
when we leaned in and kissed each other for the first time. Now whenever I see
or hear anything about Drew Peterson, I feel like I’m eighteen in Emma’s
basement again. Is it weird to feel nostalgic for stuff like that?”
New to the library: Sabrina is a graphic novel written and illustrated by Nick Drnaso, published in 2018. It is the first ever graphic novel to be longlisted for The Man Booker Prize. Deep and introspective with minimalistic illustrations, Drnaso tells the story of a young woman kidnapped in Chicago, and how the events that unfold from this affect everyone connected to her. At the same time, it is also a poignant commentary on the fast-paced dissemination of information in our digital age, how this numbs us to the continuous stories of violence bombarding us on our screens, and the confusion we feel in a “fake news” world. The above quote, spoken by character Calvin Wrobel, is a perfect example of this sense of disassociation. Instead of remembering the Drew Peterson case as a horrific event where women went missing and were found murdered, Wrobel only remembers kissing his girlfriend at the time, because the television story was simply background noise. Drnaso does a beautiful job reminding us that moments of tragedy and horror aren’t background noise, and that we need to realize there are individuals behind every story.
If you’d like to check out Sabrina, it is available in the Greenfield Library, call number PN6727 .D76 S25 2018.
Recommended by Lillian Kinney, Cataloger/Archivist
The UArts Libraries has signed up for a database we hope you all will enjoy:
New Play Exchange is “the world’s largest digital library of scripts by living writers. Designed and built with the needs of the entire new play sector in mind, the New Play Exchange serves writers, producers, directors, artistic directors, literary managers, dramaturgs, publishers, agents, actors, professors, students, and even fans of the theater.”
To access this resource, visit the Online Resources portion of our homepage, library.uarts.edu, click the link to E-books, and scroll down to the second to last option where you’ll find New Play Exchange:
If you are on the campus network, you will be taken directly into the database. From off-campus, simply enter your UArts credentials and you’ll be able to gain access.
You can search this resource by play, people, or organizations:
The options by which you can limit your search results are awesome! Though too numerous to list here, some limiting options include by age, genre, gender, sexual identity, race, ethnic identity, and more.
Results will include abstracts for plays, as well as full text plays. To limit results to only full text scripts, click the Full scripts available for download option under the Script Availability limiter on the right hand side:
When you find a script in full text you like, you can quickly download it:
: our institutional license does not
include the option to create reading lists, but as I just mentioned you can just download the ones you like, or even save the website URLs to visit them again later.
Don’t hesitate to contact me, Jim Cowen, your library liaison to the Brind School of Theater Arts!
LIBRARIZINE is a new zine created by + about the UArts Libraries. The first issue was introduced at the libraries’ open house in August, and features an interview with Lillian Kinney, the University Libraries Archivist. The library plans to put out a new issue 2-3 times a year, at the start of the fall, spring, and possibly summer semester. Our goal is to help promote the libraries and all of the interesting things going on here, as well as the libraries’ zine collection.
You can pick up a copy of LIBRARIZINE at the circulation desk of the Greenfield Library or the Visual Resources and Special Collections.
If you are interested in submitting items (or suggestions) to LIBRARIZINE, or in using the libraries’ zine collection, please contact Laura Grutzeck, the Visual Resources & Special Collections Librarian at email@example.com.
Newly arrived at the UArts Music Library, David Bowie Made Me Gay, by Darryl W. Bullock, is a chronicle of the past century of the extraordinary contributions to the world of music made by people in the LGBTQ community. Bullock covers several historical time periods, mostly focusing on countries within the Anglosphere. Taking us through the drag parties of the 1920-30s Pansy Craze era, the underground LGBTQ life of the WWII and post-war period, the liberation of the post-Stonewall era, to the ongoing fight for acceptance in American society, Bullock paints the development of LGBTQ music within its own community and larger society. The growth and enrichment of musical genres such as blues, jazz, pop, and rock flow through the narratives. More than Bowie himself, notable artists portrayed include Freddie Mercury, Elton John, Leslie Gore, Boy George, and George Michael. We recommend this book for anyone with a curious desire to learn more about LGBTQ history, music, and culture.
David Bowie Made Me Gay: 100 Years of LGBT Music, ML3470 .B85 2017
– Mike Romano, Circulation Assistant, Music Library
Taking readers on a transatlantic musical journey, Jazz Italian Style explores how jazz permeated Italian culture, both through Italian immigration to the USA, and through the post-WWI introduction of jazz to the peninsula itself. Jazz, an African-American innovation in music, evolved a distinctive Italian offshoot by the 1930s, due to the works of Italian-Americans on one side of the Atlantic as well as mostly northern Italians on the other side. Italian jazz musicians on both sides of the Atlantic would then in turn influence one another. The resulting distinctive style of jazz became associated with Italian fascism and was even supported by Mussolini as an expression of national pride. Despite this dark co-optation, the style lives on today and is cherished by many around the world. This book will give you an appreciation for names of musicians such as Nick LaRocca and Gorni Kramer, and a unique picture of how this particular Italian style of jazz influenced the world of music.
This book is available at the UArts Music Library, call # ML3509.I85 C44 2017.
Mike Romano – Circulation Assistant, UArts Libraries