Curator Paulina Kolczynska will speak Friday, August 3 at 7pm in Terra, Connelly Lecture Hall.
Kolczynska is an art historian and freelance curator. She has organized exhibitions at the Edinburgh Film House and the Edinburgh City Art Center. She has also worked as a reporter for the Polish section of the BBC in London (radio). She now works for the Art Dealers Association of America in New York.
Read Kolczynska’s essay, “Miroslaw Balka with Anda Rottenberg and Anna Kamachora at the Polish Pavilion” in New Art from Eastern Europe: Identity and Conflict (London: Academy Editions; Deerfield Beech, Fla.: VCH Publishers [distributor], c1994). It’s available in the Greenfield Library Open Stacks, call number 709.4309045 N42a.
Also read her essay “Bread and Circuses” in Performance Art: Into the 90s (London: Academy Editions; New York: Distributed by St. Martin’s Press, c1994). It’s available in the Greenfield Library Open Stacks, call number 700.922 P416a.
Amira Hanafi will lecture Wednesday, July 25th at 7:00 pm in Hamilton Hall, CBS Auditorium.
Hanafi is an internationally exhibited artist, published writer, and curator. She grew up in America, earning her MFA from the School of the Art Institute of Chicago, but returned to Egypt in 2010 where she started collaborating with the Artellewa Art Space in Giza, Egypt.
Metalsmith Susan Myers will speak Thursday, July 19, at 7pm in Terra Building, Connelly Auditorium. Myers is a Philadelphia-based artist who has exhibited nationally. Her work has been included in many books. Read “Susan Myers: Sleight of Hand” by Christine Tate in Metalsmith, 2011, 31(3): 53. This article is available through the UArts Libraries’ subscription database, EBSCOhost. If you are off campus you will be prompted to log in with your username and password to access the article. You can also read Myers’ opinion piece for Ganoksin entitled “The Artist as Curator and Critic.”
Artist and curator Cristiana de Marchi will speak Wednesday, July 11, at 7pm in Hamilton Hall, CBS Auditorium. Originally from Italy, de Marchi lives and works in Dubai and Beirut. She has published internationally about contemporary art as well as exhibited her own work in the UAE, Mexico, Spain, and Italy. Her profile and links to some articles she’s written are available through ArtTribune, an arts and culture website and magazine. You can watch one of her video artworks, Fish Market, a meditative performance in the Sharjah Fish Market.
Photographer and professor Lonnie Graham will speak Thursday, July 12, at 7pm in Terra Hall, Connelly Lecture Hall. Graham‘s work is sociological in nature, documenting the lives and culture of the people he interviews and photographs. Learn more about Graham by reading:
“Culture, Context Add to Appreciation of Photographs of a New Guinea Tribe” by Victoria Donohoe in The Philadelphia Inquirer, March 21, 1999: pg MC04. This is available full-text through UArts Libraries’ subscription to LexisNexis. You will need to log in with your UArts username and password if you are off-campus.
Media artist Nelly Massera will speak Thursday, July 5, at 7pm in Terra Hall, Connelly Lecture Hall. Massera lives and works in France. She has exhibited internationally, participating in numerous residencies and solo exhibitions. Below are details about two of her films. Check out her website for more.
“The Shout is a split screen video, a sound and visual diptych. Territories appear and follow one another, empty on one side, each occupied by a person on the other. Doubled images, long panoramic pictures, echoing narration. They are waiting, looking at us. Interior/day, prison scene: suddenly, a shout starts, carrying all the others along, the one of the children in the ruined building, the one of the woman in the bunker… The territory, the person and the shout are mutually embodied, occupying the entire screen and sound space. This split screen video has been realized in Latvia on the territory of Karosta, during an artist residency. This territory, at the same time fascinating and oppressive made to emerge this project, these presences, these shouts. I asked to people to choose a place, as a territory to shout.”
“A totally dark space of projection.The gaze has to get used to the twilight. The shot is taken at night, a space of basic architecture, covered by a faint light, barely unveils. The all-present sound of a cyclic flowing water fills the space. The sky thunders, the rain falls and mixes with the fountain’s sound. A violent, pale, almost unreal light flashes the scene and reveals it furtively to the viewer; then comes the sound of the lightning that splits the scene. The frequency of the lightnings increases, the rain becomes stronger, the sound gets denser, the howling of the wolves joins in the scene.”