Released in 1999 and holding a 94% audience approval rating, this Miyazaki film was hailed as “The ‘Star Wars’ of animated features!” by the New York Post. Princess Mononoke brings together the world of the spiritual and the realities of man. Similar to Pan’s Labyrinth, and Miyazaki’s later movie Spirited Away, this film exists in a world where fantasy and reality push against each other as humans seek to destroy the old ways to make way for new.
At the center of the story is a young man named Ashitaka, who makes his way to a mining village after being cursed by a dying animal god. There he meets Lady Eboshi, whose desire to acquire more iron for the village has put her in direct conflict with the nature gods that inhabit the land nearby who are lead by Princess Mononoke, a human girl raised by the wolf god. As his curse spreads, Ashitaka seeks to find a balance between these two opposing forces before both are destroyed by their own short sightedness.
This incredible film asks the questions; ‘Can Man and Nature coexist?’ ‘Is it possible to stand in the middle of conflict, or must we choose sides?’ ‘Who is really the villain?’ ‘Is there a place for those who are different?’With beautiful animation and subtle storytelling, Hayao Miyazaki asks us to come to our own conclusions through the actions of Ashitaka, Lady Eboshi and Princess Mononoke.
You can find this DVD at the Greenfield Library, stop by the circulation desk and ask for call # GD1475
~ Recommended by Lauralee Martin, Greenfield Library Work Study Assistant
“Institutional thinking tells us to look very, very carefully before leaping—and such thinking virtually guarantees that we’ll never leap at all. As an antidote to this, my motto has been “Act first, think later – that way you might have something to think about.” (174)
In 1969, the Whitney Museum of Contemporary Art in New York City hired Marcia Tucker, as their first ever woman curator. Shortly after organizing an exhibition for the post-minimalist artist Richard Tuttle, the Whitney decided to terminate her after receiving dissatisfied reviews regarding the show’s conceptually perplexing style. A Short Life of Trouble: Forty Years in the New York City Art World, edited by Liza Lou, focuses on Marcia Tucker’s persistent desire to challenge the traditional norms and role of the institution through her radical approach to exhibition-making. Her memoir is adorned with personal details of the curator’s private life while simultaneously providing an insightful perspective behind Marcia Tucker’s decision to open the New Museum of Contemporary Art shortly after being fired from the Whitney.
Recommended for any individual interested in curatorial practices, museum and institutional policies, or to simply learn more about the founder of the New Museum, and her relentless desire to push the boundaries of the New York City art world.
This book is accessible through our Ebsco database as an E-book, simply follow the link below, and log-in with your UArts credentials.
Curator Paulina Kolczynska will speak Friday, August 3 at 7pm in Terra, Connelly Lecture Hall.
Kolczynska is an art historian and freelance curator. She has organized exhibitions at the Edinburgh Film House and the Edinburgh City Art Center. She has also worked as a reporter for the Polish section of the BBC in London (radio). She now works for the Art Dealers Association of America in New York.
Read Kolczynska’s essay, “Miroslaw Balka with Anda Rottenberg and Anna Kamachora at the Polish Pavilion” in New Art from Eastern Europe: Identity and Conflict (London: Academy Editions; Deerfield Beech, Fla.: VCH Publishers [distributor], c1994). It’s available in the Greenfield Library Open Stacks, call number 709.4309045 N42a.
Also read her essay “Bread and Circuses” in Performance Art: Into the 90s (London: Academy Editions; New York: Distributed by St. Martin’s Press, c1994). It’s available in the Greenfield Library Open Stacks, call number 700.922 P416a.
Amira Hanafi will lecture Wednesday, July 25th at 7:00 pm in Hamilton Hall, CBS Auditorium.
Hanafi is an internationally exhibited artist, published writer, and curator. She grew up in America, earning her MFA from the School of the Art Institute of Chicago, but returned to Egypt in 2010 where she started collaborating with the Artellewa Art Space in Giza, Egypt.
Ocean Flowers: Anna Atkins’s Cyanotypes of British Algae, from the New York Public Library Digital Gallery, is truly a one-of-a-kind digital collection. In 1841, William Harvey published Manual of British Algae, but it did not contain any images. Atkins sought to illustrate Harvey’s Manual by experimenting with William Henry Fox Talbot‘s “photogenic drawing” technique. By placing an object against light-sensitized paper and then exposing it to sunlight, the paper darkens around the object, creating a silhouette of the object. We know this process today as blueprint, or cyanotype.
The final product of Atkins’ work is Photographs of British Algae. What makes algae so interesting? In this case, Photographs is “a landmark in the histories both of photography and of publishing: the first photographic work by a woman, and the first book produced entirely by photographic means.”